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  1970 - 1979 1980 - 1989 1990 - 1999 2000 - Present

The following articles have been drawn from a wide range of printed media, from newspaper letters pages to reviews of specific works in art magazines.

They have been included to help contextualise the work of the artists featured in Luxonline, and as a reminder that the debate engendered by British film and video art goes on in diverse and sometimes unexpected places.
The articles are arranged chronologically. You can choose another decade from the menu above.

John Smith's Slow Glass
Dalya Alberege on the Housewatch performance Contra-Flow in the Independent, 12th May 1992
Marina Benjamin on Kate Meynell's Eat and vampire s eat for the catologue of an group exhibition held at Kettles Yard, Cambridge 1992
Ian Bourn's memories of October 1985 published for the catalogue of Remix, the 4th International Contemporary Music Forum of Kyoto, where Bourn showed Imaginary Opera in 1995
Al Rees reviews William Raban's Island Race for Tate Magazine, Summer 1996
Tina Keane wrote this poem to provide the structure for her film of the same title
Lynn MacRitchie on Tina Keane for Mute issue 4, 1996
Chris Darke on Sarah Pucill's Backcomb for the London Production Fund, 1997
Lis Rhodes reflects on her filmmaking, and the politics of film, for Filmwaves Magazine Winter 1998/99
Cherry Smith on Sarah Pucill's work for a collaborative show with Phil Sayers at the Real gallery, new York, 1998
Subtitled A visual fugue of eye, tongue, fingers, Sandra Lahire on Swollen Stigma for Coil Magazine number seven, 1998
Catherine Elwes examines the video work of Kate Meynell for MAKE magazine. No 78, Dec 97 - Feb 98.
A review of Ian Breakwell's Auditorium in Frieze magazine, November / December 1999
Sandra Lahire on Sarah Pucill's Cast and her own Johnny Panic for a Make magazine special issue on the Miniature, 1999
Malcolm Le Grice on the importance of experimental film history to digital media. First published in Bild-Medium-Kunst, 1999
  1970 - 1979 1980 - 1989 1990 - 1999 2000 - Present
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