Articles from 2000

The following articles have been drawn from a wide range of printed media, from newspaper letters pages to reviews of specific works in art magazines.

They have been included to help contextualise the work of the artists featured in Luxonline, and as a reminder that the debate engendered by British film and video art goes on in diverse and sometimes unexpected places.
The articles are arranged chronologically. You can choose another decade from the menu above.

PLEASURE DOME

Chris Kennedy on the works of John Smith

PRECIOUS TIME

Polly Staple on the works of Hilary Lloyd, from Untitled, Spring 2000.

A SITUATION REVISTED

Chrissie Iles revisits David Hall's A Situation Envisaged: The Rite II (Cultural Eclipse) for Factor '89, 2001

TV EYE ON YOU

Jan Verwoert on Hilary Lloyd for Afterall, 2001

SURFACE TENSIONS

Katy Greaves on Ian Breakwell for Blueprint magazine, March 2002

READING THE LIGHT

Sue K. on a film screening which featured old and new works by Guy Sherwin. First published in Filmwaves, 2002

ACCUMULATION IN STAGES OF MOURNING

An essay on Sarah Pucill's Stages of Mourning by Naomi Salaman for a screening of the film at the University of Westminster, 2003

TOUCHING CAMERA

Susanna Poole on the work of Sarah Pucill, Nina Danino and Jo Ann Kaplan. First published in New Frontiers: Essays on the Body and Representation, 2003

BIRDSONG

Laura Mulvey examines Sutapa Biswas' Birdsong

DAVID LAMELAS: THE LIMITS OF DOCUMENTARY

Stuart Comer on Savid Lamelas from Afterall, 2005

GOOD GIRLS GO TO HEAVEN, BAD GIRLS GO TO LONDON

Maria Walsh on Sarah Miles for Film and Video Umbrella, 2005

NO PLACE

Stephen Bode on Sarah Miles for Film and Video Umbrella, 2005

MORE TO THE PICTURE

Chus Martinez on David Lamelas. First published in Afterall, 2005

HISTORY IN THE PRESENT

Amna Malick on the work of Erika Tan from 'Ghosting: The Role of the Archive within Contemporary Artists' Film and Video', 2006

ANTHONY MCCALL

Ian Hunt reviews Anthony McCall's 'Between You and I' at Peer, London. First published in Art Monthly, issue 296, May 2006.

RESPECT DES FONDS

Erika Tan explores the British Empire and Commonwealth Museum collections in order to question how the presentation and classification of artefacts affects the articulation and interpretation of histories.

TRANSLATOR'S NOTES

Susan Pui San Lok on Erika Tan for the Journal of Visual Culture