He draws out singularities..he allows the camera only a fenced in area, piecemeal.
He lets the gaze hold on objects and constantly repeats..this permits the possibilities of the discrepancies between one's own seeing and seeing with the camera to become distinct, and this in turn allows for a completely different experience of the surroundings.
Birgit Hein, Film Im Underground, 1971.
Key (extract)
Stills from Key
