Themes

Abstractions

Body Politic

Body Image
Gender and Sexuality
Race
Performance

Collective

Organisation
Realisation
Collaboration

Documentary

Film as Film

Mark-making
Found Footage
Process

Installation

Protest

The Woman's Voice
Politics
Personal Perspectives

Sense of Place

Landscape
Architecture
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Travelogues

Soundtracks

Voice Over
Music
Found Sound
Vision as Sound

Video Art

Words and Pictures

History

Timeline Page

1900-1949

1950-1959

1960-1969

1970-1979

1980-1989

1990-1999

2000-present

Education

Learning Tours

A Beginners Guide to Self-Promotion
Crank that Camera
Dev and Print
Devoted Super 8 Filmmaker
Film Locations
How to Edit
Photography in Film and Video
Public Places, Private Thoughts
Shortomatic
The Halloween Society
The Materiality of Video
What is Editing?

Resources

Glossary

Artists

Artist A-Z

Jananne Al-Ani
George Barber
Breda Beban
Sutapa Biswas
Ian Bourn
Ian Breakwell
Ann Course
David Critchley
Stuart Croft
Michael Curran
Nina Danino
Vivienne Dick
Stephen Dwoskin
Gill Eatherley
Catherine Elwes
Peter Gidal
David Hall
Ron Haselden
Jeanette Iljon
Isaac Julien
Tina Keane
Patrick Keiller
Andrew Kötting
Sandra Lahire
Malcolm Le Grice
Harold Offeh
Katharine Meynell
Laura Mulvey and Peter Wollen
Annabel Nicolson
Ruth Novaczek
Jayne Parker
Keith Piper
Sarah Pucill
William Raban
Lis Rhodes
Zineb Sedira
Guy Sherwin
John Smith
Cordelia Swann
Alia Syed
Tanya Syed
Margaret Tait
Anne Tallentire
Erika Tan
Stefan and Franciszka Themerson
Anna Thew
Mark Aerial Waller
Chris Welsby

Articles

Articles from 2000 - Present

Articles from 1990 - 1999

Articles from 1980 - 1989

Articles from 1970 - 1979

Works

Film and Video Clips

A to Z

Tours

Tours

Bewitched
Circles Social
Films of an Afternoon
Insomnia X
Kiss the Zombie
Margaret Tait
'...RECOMPOS[ING] THE UNIVERSE'
Shoot Shoot Shoot
Tense Present
Unknown Bodies