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still from Soundtrack

Soundtrack

G. Sherwin (1977)

Uses a technique that converts pictures into sound, enabling us to hear the movement of railtracks seen from the window of a train.

still from Sound Works

Sound Works

S. Marshall (1977-8)

Sound patterns determine image articulation and v.v. Non-sync sound effects are brought into line, death raps and percussive editing.

still from Southforeland

Southforeland

W. Raban (2007)

51° 07.97'N / 001° 20.56'E

still from Spaced

Spaced

A. Nicolson (1971/2)

Four images are framed within each 16mm frame.

still from Spanish Banks

Spanish Banks

A. Nicolson (1972)

The mechanics of image making: exploring the relationship between exposure and shutter speed.

still from Splashing

Splashing

M. Tait (1966)

Action improvised by Paul Tait, Ian Pirie, Marion Pirie. Music by Monia Liter.

still from Split City Rushes

Split City Rushes

A. Thew (1982/83)

twin screen super 8 rushes with live performance and cabaret

still from Spoken Diary

Spoken Diary

A. Syed (2001)

A visual poem

still from Spoken Diary

Spoken Diary

A. Syed (2001)

A visual poem

still from Spool

Spool

A. Tallentire (2002)

Collaborative work with John Seth as work-seth/tallentire

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